FACILITIES

No, we don't go as far back as the Stereopticon, but we did start producing in 16mm and 35mm film with sprocket holes and splicing tape.

The transition to linear videotape production was challenging but we completed hundreds of projects going through the "off-line" edit to the "online" edit completion.

Back in 1999 we finally arrived at the non-linear digital editing mode and now work with Final Cut Pro and Adobe CS edit systems along with After Effects, Photoshop and numerous titling and graphic capabilities.

Our cameras can shoot Standard Definition 4x3, 16x9 or High Definition 16x9 and include a basic compact lighting kit.

For additional lighting equipment, camera dolly, cranes, teleprompter, grip equipment, we contract out as required for specific production needs.